ARROW'S PHENOMENA BLU-RAY (2011), OR BRING ON THE BUGS, I'M BUGGIN' OUT!

*If you get that secondary title, you obviously have children under 4 years old.

This year will mark the 30th anniversary of Dario Argento's supernatural insect masterpiece, 'Phenomena,' or as it was known when it was cut down from 116 minutes to 82 minutes for its American release, 'Creepers,' which features my favorite video box art for any version of this film.

Currently, Synapse Films is hard at work making the first uncut American Blu-Ray release, which is rumored to have the 'Creepers' cut included as well as the uncut version, but no release date has been set, as it is still in the early stages of conversion and info gathering.

However, if you simply can not wait, then you are in luck, Jack because, back in 2011, Arrow Video UK released a Blu-Ray/DVD combo of the 116 minute cut of 'Phenomena' in an all regions package and it is magnificent. It's one of the few Arrow titles that are still all regions. Due to code issues, the UK branch of Arrow Video is only doing Region 2/B for most, if not all, of their future releases, but there are a few other All Regions discs in their store, like 'House By the Cemetery' and 'The Beyond.'

HI-DEF PUPPETS, ANYONE? REVIEW OF SCREAM FACTORY'S GHOULIES I&II

Released in 1984, 'Ghoulies' is about a baby, Jonathan (Peter Liapis), that was to be sacrificed during a Satanic ritual by his father, Malcolm (Michael Des Barres), but saved by his Mother before her death at Malcolm's hands. When Jonathan gets older, he inherits the mansion where Malcolm lived and died, and upon cleaning up the house, he finds black magic artifacts and starts performing rituals with his girlfriend, Rebecca (Lisa Pelikan). Jonathan summons little ghouls to do his bidding, but inadvertently resurrects Malcolm, who has his own sinister plans.

'Ghoulies' is 1980's horror staple made during the heyday of Charles Band's, Empire Pictures. A personal childhood fave of mine with a fun story, good laughs courtesy of Scott Thomson in almost every scene he is in, good scares a la the clown scene and undead Malcolm. All the supporting characters each encompass the standard stereotypes: Mark (Ralph Seymour) as the dork, Robin (Chareen Cathleen) as the sexpot, Keith Joe Dick (Dick) as the Stud, and Mike (Thomson) and Eddie (David Dayan) as the stoners. The special FX still hold up today, for me at least. I love a good practical effect no matter how static or rubbery it is. Presented for the first time in 1080p, the picture is crisp, and the colors vibrant.

Special Features:

• Audio Commentary With Director/Co-Writer Luca Bercovici
• New Interviews With Executive Producer Charles Band, Composer Richard Band, Actor Michael Des Barres and Special Effects Make-up Artist John Vulich
• Theatrical Trailer

Released in 1988, 'Ghoulies II' features the little imps hitching a ride on the Devil's Den, a haunted house attraction, en route to its destination with the rest of the traveling circus. The Den is run by Uncle Ned (Royal Dano), an old alcoholic that still believes in magic, his nephew Larry (Damon Martin), and Sir Nigel Pennyweight (Phil Fondacaro). One night, Uncle Ned discovers the demons in the Den and tries to stop them with a spell, but is killed before he can finish the incantation, leaving it up to Larry, Sir Nigel, and Nicole (Kerry Remsen), a belly dancer and object of Larry's affection, to stop the fiendish little demons from wreaking havoc and killing the carnival patrons.

While not quite as good as the original 'Ghoulies,' it features a lot better characters in the sweet, but sad Royal Dano, and the stealer of the show, Phil Fondacaro, whose Sir Nigel is classically trained in Shakespeare, and his every line is delivered with believable flare and emotion. The Ghoulies themselves were also updated with a cleaner look and are shown much more than the previous film. They also perform more action and even have a few stop motion animation moments. However, my personal preference is for the original puppets, but that's just me. 'Ghoulies II' is presented for the first time in 1080p, and is just a little better looking than 'Ghoulies I.'

Special Features:

• New Interviews With Executive Producer Charles Band, Actress Kerry Remson, and Special Effects Artist Gino Crognale
• Deleted Scenes
• Theatrical Trailer

This is yet another solid entry from Scream Factory that should be on every 1980's horror fan's shelf. Order Here

A SHUNTING TO REMEMBER - ARROW VIDEO PRESENTS 'SOCIETY'

My review from http://www.horrorsexy.com/articles/society-arrow-video/

“You will make a wonderful contribution to Society.”

Coming June 9th from Arrow Video is the long out of print ‘Society,’ directed by ‘Re-Animator’ producer, Brian Yuzna, in a special Blu-Ray DVD combo set.

Synopsis:

Billy Whitney (Billy Warlock) has always felt something wasn’t right about his life. But what could be wrong: he lives in a huge house in Beverley Hills with a prominent family, the weather is gorgeous daily, and he is a good athlete and debater with a bright future. Yet, Billy feels like everyone around him is in on some sick joke and he is the punchline. He doesn’t look anything like his parents, and they treat him much differently than his sister, like he is a lesser person. While he is somewhat right in his suspicions, Billy has no idea about the horrible truth that will soon rear its horrible, ugly, shunty head.

Released in 1989, ‘Society’ was the last great gore film of the decadent excess that was the 1980’s. It’s funny: it’s considered a gore film, but there’s virtually no blood or guts at all. You may remember Society’s video box gracing the shelves at the local mom and pop shop, and that’s actually the only thing I remember because, I never got a chance to see the film until now, and it was worth the wait. I’m glad that I didn’t opt for a bootleg DVD that was just a VHS transfer to a DVD-R because, the Arrow Video blu-ray is remastered in 2K from the original negative delivering an unparalleled presentation.

This film is demented, depraved, disgusting and delightful because, it really captures the over the top excess of the rich of the 1980’s. As a whole, Society follows the general blueprint of an 80’s teen film: parties, popularity, rejection, awkward social interactions and trying to fit in. But then it morphs into the most messed up episode of ‘The Twilight Zone’ you can imagine, as paranoia plays a big part in the story. The characters are really fun. Billy is a nice kid, just trying to fit in, as most teenagers do, Milo (Evan Richards) is Billy’s best friend, Clarissa (Devin DeVasquez) is the most popular and beautiful girl in school and the object of Billy’s affection, but she, like Billy, is also an outcast, Ted “The Tycoon” Ferguson (Ben Meyerson) is the typical most-popular-rich-guy in high school douchebag. The members of Society are very pompous and self-absorbed, but that’s just how they are made. Apparently, their lineage goes all they way back to Caesar and Ghangis Kahn and probably even further than that, which makes sense thinking of how barbaric and decadent these two time periods were.

Through various writings, I was made aware of Society’s contribution to the body-horror sub-genre

and had ample opportunity to watch the moneyshot that is the “shunting” via Youtube, but thankfully, I resisted the temptation. If you are Society virgin, nothing can prepare you for the payoff of the “shunting” scene and you shouldn’t spoil it for yourself. The use of the “Argento Red” overlay during the entire final sequence of the film made the “shunting” even more disgusting and surreal, giving it the look of a seedy whorehouse. The insane FX were done by none other than “Screaming Mad” George and inspired by the paintings of Salvador Dali, specifically “The Great Masturbator,” “Autumn Cannibals,” and “Premonition of Civil War” and if you pay close attention to the “shunting,” you will see these paintings almost recreated. What really puts the scene over the top is the classical music redone on a synthesizer, almost mockingly, making the scene even more unsettling, if that’s possible. The end credits uses a version of the song “Eton Boating Song,” the school song for Eton College, sung by Soprano Helen Moore. It’s very pretty until you see the lyrics:

When you’re tired of winning / When you get tired of fame / Or when your head is spinning / And
you’ve drunk all the best champagne. Chorus: Then we’ll all sing together / To society we’ll be true / Then we’ll all sing together  Society waits for you / Oh how we all get richer / Playing the rolling game / Only the poor get poorer / We feed off them all the same. Chorus: Then we’ll all sing together / To society we’ll be true / Then we’ll all sing together / Society waits for you.  Some may call us sinners / We think of ourselves as saints / Some may call us killers / It’s done with such restraint. Chorus: Then we’ll all sing together / To society we’ll be true / Then we’ll all sing together / Society waits for you.

Society’s social commentary about rich vs poor is still relevant, if not even more relevant, today with the advent of the “Occupy Wallstreet” movement and the coining of the term, “The 1%.” It’s kind of like a big corporation that absorbs a smaller corporation, takes what it needs, then expels the rest. The FX also aged gracefully and stands as a testament to the usage of practical FX. If Society were made today, the “shunting” would have been a CG pile of shit.

If you buy only 1 Arrow Video release this year, make it Society, and make it quick, as only 5,000 will be produced.

Order here.

Bonus Feautres:

• Newly remastered 2K digital transfer of the film, approved by director Brian Yuzna
• High Definition Blu-ray (1080p) and Standard Definition DVD presentation
• Original Stereo 2.0 audio (uncompressed PCM on the Blu-ray)
• Optional English SDH subtitles for the deaf and hard of hearing
• Brand new audio commentary by Yuzna
• Governor of Society – a brand new interview with Yuzna
• The Masters of the Hunt – a brand new featurette including interviews with stars Billy Warlock, Devin DeVasquez, Ben Meyerson and Tim Bartell
• The Champion of the Shunt – new featurette with FX artists Screaming Mad George, David Grasso and Nick Benson
• 2014 Q&A with Yuzna, recorded at Celluloid Screams Festival
• Brian Yuzna in conversation backstage at the Society world premiere
• ‘Persecution Mania’ – Screaming Mad George music video
• Limited Edition Digipak packaging featuring newly-commissioned artwork by Nick Percival
• Collector’s booklet featuring new writing on the film by critic Alan Jones, illustrated with original archive stills and posters
• Society: Party Animal [Limited Edition Exclusive] – the official comic sequel to Society, reproduced in its entirety in a perfect-bound book

HAVE YOU EVER WANTED TO SEE ROBOCOP PUNCH SKELETOR AND EXPLODE HIS FACE?

Hey what's up?  Long time, no post.

I did some re-branding with the blog and actually have a facebook page for it now.  I'll give you a few seconds to link and like...

Ok cool thanks for the like and hopefully a share.

Anyways, a good friend/artist named Matt Gondek, who as of April 28th, released his first book entitled, "Struggles 3D."